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ANN VASILIK WORKSHOP
SUGGESTED MATERIALS LIST
Drawing: Sketchbook, lead pencils soft (2B), kneaded eraser. I use a roll of tracing paper
from a drafting supply store to lay out, correct and complete a drawing before
tracing onto the watercolor paper through a light box or window.
Painting: Paper: I use D’Arches 140 lb. cold pressed, but any good quality rag paper
should do. I will stretch my paper on a piece of Homasote board (a ½” cardboard
like substance available at some lumber shops in 4’ x 8’ sheets).
Brushes: A 2” sky brush, 1” aquarelle flat, assorted flats (½ “and ¼”) and a couple rounds
(#6 to #10), and a rigger or liner. Also, bring an old toothbrush.
Paints: I mainly use Winsor Newton in the 14 ml. studio tubes. The 5 ml. tubes are fine
for the workshop. These are the pigments that I use most often.
Red: Permanent Rose, Burnt Sienna,
Yellow: Yellow ochre, Lemon Yellow, New Gamboge
Blue: French Ultra Marine, Cobalt, Colbalt Turquoise, Blue Grey (Holbein)
Others: Winsor Violet, Cadmium Orange, white Gouache or Chinese White
Occasional use: Alizarine Crimson, Peacock (Holbein), Transparent Yellow,
Paynes Grey, Raw Sienna,
Miscellaneous Stuff:
Clean and dirty water tubs
Sponges: 1 house hold and 1 natural
Board to support stretched paper (Homasote). Some have found success with Gator
Board. I will have gummed tape for those who wish to try that on a board.
Office staples and stapler
Kleenex
Palette with separated mixing areas
Spray bottle
Two inch masking tape
Table salt
Extra scraps of w/c paper
Enthusiasm
‘Can Do’ spirit
Ann’s Philosophy: “Applying paint to paper is an expression of joy and discovery.
The decorated surface with heightened color and exaggerated images should evoke
the memory of places seen, realism but beyond the scope of the camera. The use of
the watercolor medium should convey fluid, transparent, brilliant and spontaneous
results. The exhilaration of a big, bold, brash and almost ‘out of control’ wash is
my idea of excitement and danger.”